first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

an ep done by ukrainian producer recid - 3 catchy techno bangers accompanied by straightforward remix done by saint petersburg based techno producer > sanys<. ep is named after one of the key elements in universe and recids home city kirovograd which is full of uranium mines.

swap white ltd 02, included a iori remix (prologue, phonica white). cinema sonore vol. 1 will be the actor of your own analog film. a sound film is a motion picture with synchronized sounding elements, technologically coupled to image, as opposed to a silent film. the first known public exhibition of projected sound films took place in paris in 1900. the idea of combining motion pictures with recorded sound is nearly as old as the concept of cinema itself. in the early 1930s it became a global phenomenon. 180 gram vinyl only, no repress, handnummered, mastered by mb (matthieu berthet) mastering.

i feel this is antons deepest production since uq-018. each track provides the right elements for different times on the dance floor!! dj jus ed!! repress 2014

standard edition transparent blue vinyl pressing with white inner sleeve and printed cardboard sleeve.
the project stems from an idea of hypnotism and low frequencies which are an integral part of the musical premise. in an ever-changing field of music, blow creates a fusion between the genders in a spiritual perspective becoming part of the contemporary underground movement. both tracks are live interactions and excerpts from archival material of the opera mutica. the acoustic elements that characterize the artists sound are flutes, drums, percussion, guitars and ambient sound environments. between the surreal sounds he is able to initiate a search within ethic harmony. through musical research the project evokes a certain significance, enough to take on a certain character which makes space for more conventional acoustic elements.

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

what happens if such restless souls like akiko kiyama and laurine frost start to melt their sounds together? the result is that one of the most interesting piece of art of the forward-thinking techno music becomes alive. ’through the mountains ep’ is a golden section of their utopistic musical imaginations, influenced by classical minimalism, live instruments and the ordered chaos of contemporary techno and found sound elements. all the four tracks contain their recognisable fingerprints. the gently and respectful collaboration is proven by the perfect balance of chemistry. in the collage of their musical layers every tiny sound and every tiny breaks have its own weight and meaning. waving and playful structures, exciting journeys on the edge of reality. 

doubt makes his dba debut with four stepping left-of-centre techno jams, fresh from turning heads with a pair of trippy, forward-thinking releases for dvs1s mistress imprint. a veteran of the midwest electronic underground, doubt is the new alias of a minneapolis artist who has earned a reputation among aficionados of electronic music as one of the most inspired, engaging, and entertaining artists of his time. a true musicians musician, he routinely reaches for unconventional elements and seamlessly blends disparate styles to create completely unique sonic experiences, which hit all of the right buttons.

according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

limited edition of 150 copies on white vinyl.
according to ancient mythology, the woodland nymph echo was fascinated by the handsome narcissus, and wished to lure him into marriage. unable to say anything on her own, her voice could only repeat the last words said, and this act was not enough for the arrogant narcissus. heartbroken, echo fled deep into the forest, her body turning to mountain stone. her soul is often considered to be the faint reverberation of the wind, still calling out for her lost love. a song for echos central character embarks on a spiritual journey through earth and water, attempting to discover herself and her relationship to the elements before nightfall. ricardo donosos score really heightens the interplay between the attraction and repulsion of the doomed lovers and makes for an all-consuming, disorienting immersion.

nomadico returns and unleashes yaxteq on ur with four unique tracks that work together to express his nomadic style of techno. the release starts with the singularity, an analog bass driven track with dark atmospherics and acid elements that can only truly be appreciated in a dark sweaty club at 5am

deep, moody, yet powerful techno from the reclusive perfectionist. myles come up with two deeper, slower, moodier minimalistic tracks, venturing in more house territory: *red eye to bogota* and *when i meet god*. both tracks go over 10 minutes during which myles slowly tweaks the rhythmic elements, basslines and chords for your aural pleasure. myles also delivers a more stripped-down uptempo techno track that we love him for, *transmilenio*: its full on repetitive bassline should for sure inflict some dancefloor damage.

body function and vatican shadow have combined forces on > games have rules< for hospital productions, simultaneously stripping back each producers more prevalent production elements - the dancefloor-focused techno structures of function, the experimental cassette-roots of vatican shadow - to create an album of dynamic electronic ambient music, equal parts rhythmic and atmospheric.

the medieval alchemists were obsessed with anti-poles, often exploring the possibilities to mix substances and energies together that were considered to belong to opposite elements, trying to merge them into new, higher forms. sometimes with impressive results that have effected the development of modern chemistry and medicine

amsterdam based house head nachtbraker made his first appearance on dam swindles infamous heist recordings earlier this year with his fantastic debut ep. we are very pleased to welcome him to our dirt crew family and to release his second record. being best known for his smooth and deep production with jazzy and soulful elements he also added these ingredients carefully in these 4 new tracks

new york endless is the first appearance on vinyl of new jersey born new yorker dan selzer. you may not have heard of him, but many of your favourite producers, bands and djs massively respect his record collection and ear. many of the sounds he has spent years exploring and djing can be heard via the three tracks that make up the strategies ep. elements of techno and house, idm, italo-disco and new wave, cosmic and kosmiche, krautrock and a certain debt to the new york school of minimalist composers all appear. the music is pure and (mostly) analog while still centred around accessible melodies and clean synthesized tones. golf channel every time!

we are proud to unveil the seventh release on telefonplan, osirus ep from anders hellberg, a berlin based producer and dj from south sweden. with osirus ep, it is immediately clear that anders is a fan and follower of the old school techno with elements of detroit techno and acid. four righteous slabs of hardware goodness is on the menu this time, all served tight and driving. from the opening track *beyond the stratosphere* with its pulsating rhythm and hypnotizing chords to *gondor*, a heavier, darker and dubbier acid anders showcases his uniquely modern flavour of techno. on the flip, *osirus* is a floor burning chord jam and *respond* finishes things perfect with hypnotic melody.

pragmat is a label from leipzig/germany and was founded by markus masuhr in 2012. this label is a new interpedation of techno. the label is following his line of dark, dubby, pure and peak haunting techno. 4 tracks of deep and raw, yet intricately textured techno. elementary loop techno tracks with dark elements, showing consistently forward. in a mystery track construct with pushing apocalyptic sounds and vocals. he meet dark side of the night.

the third instalment for nightime drama returns with infinite loops presenting something special again with his non conformist sound. the title track dirt, a what could become a staple in the dub techno world. a mission in a sandstorm.. espionage in the desert.. moody, driven with gritty stabs and textures surrounded with experimental atmospheric elements. deep and dubby, a real masterpiece and a must have track! if you loved ntd001 then you will find persiflage takes it to the next level of what you would call the infinite loops hypnotic groove. beautiful,sparse,unpredictable chords that hide and jump out backed with driving beats! both tracks complimenting each other on this high quality release topped off with mastering by the brilliant stefan betke (aka pole).

candela rising welcomes manni dee to the fold with 2 original tracks covering broken beats, nostalgic rave elements, industrial menace and heavy bass rhythms, all topped off with 2 remixes. ancient methods remixes ‘a lovers rhetoric’ with his now famous ‘pitch black techno war funk’ attitude. ‘voluptuous surrender’ is reworked by new yorker and l.i.e.s affiliate, shawn o’sullivan. early support from surgeon, perc, and, truss, svreca, tom diccico and more.

italys niccolo detti aka nicco launched the recline music imprint mid 2008 and has since gone on to release material from the likes of oxia, mic newman and anonym. here we see nicco return with some new material via the imprint, in the shape of moon games, whilst enlisting some heavy hitting remix artists as well to create a punchy package with a widespread appeal. the original mix of moon games kicks things off, a classic meets contemporary house number. fusing old school elements such as meandering organ lines and stuttering guitar licks, while dubbed out vocals and bumpy rhythms add a modern charm to the composition.

not the usual bio rhythm release... as far as they have any usual releases at all. recently the label accidentally came across this lost treasure by midnightopera (workshop) and signed in at the spot. produced in 2007, five is an epic 12 minute journey straight into downtempo/deephouse walhalla, making your sunday morning seem to last forever. the 2010 rework is delivered by bad boy roger 23, diving into even deeper territories and adding some psychedelic elements to make it safely through the other side and back. sunrise over riegelsberg... dont sleep! translucent red coloured / black marbled copies, vinyl only.

tiagos interzona 13 label has quietly gone about its business across three acclaimed and sold-out eps. his unique reputation as a dj is matched by the distinctive and unrivaled quality of his productions. for his fourth outing tiago treads an arguably more experimental path, and using sem titulo (untitled in portuguese) on three of the cuts here only adds to the mysterious nature of the sonic treats within. present, as always are the deft rhythm sections and powerful arrangements, as subtle elements of disco, techno & new wave provide the bedrock for his trademark off kilter melodies and soundscaping. the darker underbelly of club life may well be the inspiration, but the mood and execution are pure tiago! another beauty then from this outstanding, diverse and incomparable imprint.

with his new album “ghosts from the past”, mr. fürstenberg doesnt say goodbye to an old chapter, but he is rather building a bridge to a new one. familiar elements are the mortar to a complete musical piece, with an extended foundation, new accents, and a fresh face. gftp is a musical retrospective of a new way of life – with a child – that was born in november 2010. the conception and creation of this album began to take form in parallel to that of his unborn son, as an almost aural twin. markos wife helped with the album artwork while also carrying a little marko inside her. so again the past was knocking on the door. good morning!
pressing on translucent, smokey marbled vinyl.

after a best-selling debut record, low budget family - an independent moscow-based record label run by the crew behind the legendary shop&bar denis simachev formation return, and how! king solomons mines from simple symmetry is quite a classic in the making - a deceptively simple workout that reminds of mid 80s boyd jarvis jams, but shot through with 21st century twists and turns, that amplify those tough drum machines, anthemic afro elements, chants and marimba riffing. add a truly dynamic arrangement and you have a dancefloor dynamite! it is disco royalty on the remix tip as soft rocks & brennan green step up. as expected, given the incredible ingredients, the two of them shine. soft rocks set up a classic euro flavoured afro-trance workout, utilising the parts against a far more electronic and unrelenting backdrop, building to a sweaty, strobe-lit finale. brennan green may be less than prolific these days, but he is dependable as ever here. working up a synth-soaked, prelude style dub, whose classic elements will work the floor from here to zanzibar…

non stop house tools! directly recorded from his liveset, marco d aquino aka duwka, a half of life s track with his fellow friend herva, provides the first series of 6 effective tools for every dancefloor and for djs who like to spin! in the mood of some early soundstream or even dancemania trax, they are rich in funky elements, disco samples, powerful grooves! find your tool, or just let the whole side rock till the end!

inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphni, midland and eliphino. his productions and remixes for more music, sofrito, soundway, huntleys & palmers and now getme! have been making an impact far and wide, getting attention of djs such as james holden, jackmaster, gilles peterson and skream. forthcoming single snb /super vega has received radio play on rinse fm, radio 1 and radio 6.

itokim, aka tendo-based producer takuro ito, aligns with dj bone s subject detroit label with the subject japan: rhythm poems ep and his opening gambit certainly leaves a dent. -motechnique- has been a staple of bone s 3 deck attacks in recent months and it will have eyebrows raised and mouths open from the off. weighty but warm kicks start as they mean to go on, bursting with pace and vigour as thrusts and stabs pinprick the brooding chords. the laidback, easy-going connotations of the title to -roll up and shine- are very much the ethos and aesthetic of the production, as a playful, bubbling melody sets a warm and almost sugary tone from the off before being bolstered by a suave melange of full-bodied kick and dexterous percussion. itokim rounds off his first outing on subject detroit with -the mood device-, a to the point groover that melds elements of the previous productions to stunning effect. a genuine builder of a track with a straight and true trajectory, -the mood device- melds innumerable coatings of percussion and synth as stabs are layered and layered again, clotting and coagulating the composition in to one delightfully deep and multidimensional slice of formidable dancefloor composite.

to rack & ruin comes thundering your way slap bang in time for summer courtesy of our italian disco brother in arms dj rocca and his compardre n2b. the usual high standard of sounds are as present as ever on the 6th instalment of our edits and reworks imprint. get up hits you with a rolling bassline that brims with plenty of pant flapping groove & wah wah guitar licks before that ever so familiar vocal kicks in for a full on reggae disco workout. weird safari certainly lives up to its name - a stripped back, dark & almost techno sound, alongside tinkering percussion and spaced out wild animal noises surely make for a weird safari. dubby pino has you from the off, all the foot stamping & money shaking elements are present - hooky guitar, fat bass loop, infectious percussion, soulful vocal licks and a gorgeous little piano break. mr rossi’s backpain starts off by getting the award for the best song title we’ve ever had on rack & ruin, but as well as that it’s in the proper groovy dance floor tackle category with a bassline & guitar that commands your respect and then when the 4/4 kicks in at 1 min, well just have a listen.

a record that features deepness, heavy staps, dubby elements and a heavy monster remix by norman nodge

a fresh voice in uk techno arrives on hotflush with a four-track debut that brandishes range and dynamics. unsullied atmospherics, large-scale techno, acid, dub and two-step comprise the story arc here disparate elements woven through by the coherence of a singular vision. this is auden.

where are we heading ep is a sequel to the stunning entry by tapirus (rotterdams very own charlton), and offers greater room for the artist to roam, breathe, flex and grow. behind the success of acid love story, which received notable plays by surgeon on rinse.fm and blawan at awakenings, this follow-up effort recalls the signature elements established in the first, while displaying a quest by the artist for refinement and progress.

back in the day, there was one artist that stood out in the underground, this person was admired and respected worldwide, his cuts we re played from paris, london, nyc to chicago & back again, he was - olivier portal aka playin 4 the city. this year, 2014 - playin 4 the city is back, 3 brand new tracks released on the deeply respected us label - plastik people. side a delivers two soulful edged tracks with a reprise at the start of a1 which keeps the roots of p4tc from back in the day - both tracks include live bass by slikk tim. side b *good groove* is a black & white track, it has the feel of the early bouge & shuffle track that came out on olivier s straight up label, deep & groovy elements, 16 bit samples & keeping it four to the floor. good groove is sure to be a classic, one for the true heads & the p4tc collective.

kenneth christiansen & dennis bøg presents pattern repeat part 7. after a litle break pattern repeat is back with a new ep. this time pattern repeat delievers 2 very powerfull techno tracks with heavy chords and dubby elements. kenneth is also running the labels echocord and echocord colour, and dennis is known from his baum label, and his resoe releases. its still all about dub-techno but with a heavy metallic sound that defines the project pattern repeat. this one will be in red coloured vinyl. both tracks will be perfect for the peaktime hour.

sol asylum is back with their third release, this time around a various artist ep featuring tracks from friends and family members dana ruh, miss jools, and patrice meiner. this solid collection delivers a heavily swung slice of style and class without ever losing its straightforward dance floor attitude. the ep gets a proper start with dana ruhs >overcome<.a modern take on forward thinking house music with a cleverly swinging groove, pulsating filtered synths and provocatively soul stirring voices. all the rhythmical elements mold and evolve the track into a vibrant and energetic gem. next stop on our journey brings us to patrice meiners >uva< a broken beat dedication to his mother with fiery snares, atmospherically floating ghost like synths, intricately pitched hi-hat patterns and a tightly woven groove that is the signature sound weve all come to know and love from him. last but certainly not least is our trusted resident of sol asylum miss jools with >calamity cloud<. mysterious voices speak to us with an infinite realm of hovering synths, a playful but complex groove, driving hats, then a finely crafted layout brings us to alternate states between light and darkness creating a perfect balance that reminds us of a cloudy berlin day.

limited 2014 repress
next up on sudden drop we have dutch native and member of eshu (along with ivano tetelepta) roger gerressen supplying the luscious beats. >faithful< is a spritely groove with elements of dub techno and tech-house with its lush chords and forward leaning percussion really giving the track a sense of pace. flip-sides >put that record on< delves deeper with a headier combination of deep bass and spoken >put that record..< refrain.

leao is the house alter ego of respected tech producer robotneedsoil. here he supplies two killer house tracks that are given the remix treatment by two of the industries current favourites, kindimmer & jacob b. the ep lifts off with the original mix of drop that and wastes no time getting down to business. tough beats and throbbing bass meets cool stabs and vocal stabs urging you to -take your body back-. the jacob b remix of the same track is ruthless. taking no prisoners with a sub heavy mix that never veers from dance floor destruction. the b-side kicks off with leao s second original offering. this is house with heavy footwear. something more stomps, elbows and swings it s way through an intricately placed web of percussion. kindimmer s alien remix subtly uses elements of the original while at the same time segueing into new territory. its deep and eerie, soulful and moody. all the things that have made the berlin based greek one of the most sought after remixers in europe

33-10-3402 is a code name for nenad markovic, an imaginative and limitless musician and producer from belgrade, serbia. this release is the second in a trilogy of opium den and whore-house inspired singles entitled mecanica. iii33 features a disorienting vocal, that repeats as if caught in a psychedelic cycle your mind cannot break, accompanied by stuttering percussive elements and metallic textures. cool down is a post-apocalyptic drum circle that keeps your groove alert as it moves between accent placement and eventually builds into a full force bad acid trip. be careful with this record.

after a twisted, introduction full of warped vocals and shifting percussion, villain builds into a track designed to kill the rave. dropping into a wall of contorted, metallic bass and vicious drums, minor rain switches things up throughout, maintaining interest - as well as that infectious groove. on the flipside, main core shifts gears with a pulsing, submerged bass driving things forward. combining elements of tribal beats, programmed drums and a stuttering rhythm, main core is a great example of future funk musics ability to put out groundbreaking, forward-thinking music.

ltd to 200 copies, anthonys fourth album is simply called ** four ** and features 11 masterpieces of deephouse music. every track is a masterful lesson in the art of this genre. they are beautiful and originally composed, including elements of jazz, garage, disco, rnb and classic house. anthony nicholson clearly shows that he is gifted with an amazing imagination and also a proper knowledge of musicality.

cyber dance records are back on the attack with a fresh release from the legendary perseus traxx aka nigel rogers, a 4-track ep entitled after recent scientific developments an apparent horizon . its a firmly machine-based and totally jam-packed affair reflecting diverse sounds from the uk s own rich history of electronic dance music, with elements from the classic warp -deep space sound- prominent as much as the more usual 303-jacking acid house grooves in the vein of baby ford or bam bam. lost dreams opens the record with a floaty dream-like hipnosis from the depths of space and sets the tone in magnificent style, followed up on side a with the irresistible roll of reverse the trend that takes the groove harder, further and deeperstraight off to the beyond. dark strings reminiscent of old lfo, b-12 or autechre vinyls from the early 90s propel us into side b on darkness stalks , and then we re transported onto the concluding track on the ep, distances , an epic closer that opens with beautiful reverbed claps and acid squelches before diving into an inky black void of timeless space-travelling and slow-building tension that could surely echo hauntingly around any m25 rave in the depths of a late 1980s night.

after releases on john osbourne’s label tanstaafl bill youngman once again rips it off for killekill with our catalog number 019.from straight forward, hard hitting techno as in levitate he crosses over to the typical youngman style 2-step/techno hybrid as in magnetic. broken beats and playful me- oldies as in teardrop turns to solid are definitely not new to him, but the combi-nation of these two elements, as we find it here, definitely is. a beautiful masterpiece that works for the lonely hours as well as for the peaktime dancefloors.

bryan jones & hugh cleal unleash their new label with a peak time deep track, a bit funk remix with a huge bassline & new elements that take the track to a new level, + 2 super dirty ghetto tech inspired tracks that stretch their range. pic sleeve.

label maker alberto sabatini drops a stellar spring grenade in the form of roboto (we are) on save the black beauty. having featured such renowned artists as fnm and sasse, it was time for sabatini to step into the spotlight with his own production. the introduction was made with his remix for sasses flushing meadows which showed his roots firmly to the italo & early proto house territory. now with roboto, sabatini takes an italo vibe and mixes it with contemporary house elements and creates a joyful, yet sinister late night belter. on the remix tip italian meister fabrizio mammarella who dips the original in disco sprinkles and lets the sun in

martin lewis, the insane house kid from berlin is breaking bad with his new and massive “rewind ep” on freebase records. with his first strike “believer” he delivers a flat footed house banger with a grumpy bassline, flavoured with an hypnotizing vocal sample. the second track “ breaking bad”, a genuine groove tool, is also influenced by martins garage credo. sublime melody riffs are competing with a wiggling bassline. tuff city kids, aka gerd janson and phillip lauer come up with two mind- boggling remixes of “believer”. at the “acid remix” they take out their breaky 90s acid drumset. this one is dry, jacking and sophisticatedly tribal. the “tuff city kids remix” starts with desert- dry acid elements which grow up to an uplifting acid soundwall. a true “jack in the box”.

labelboss steffi hooking up with long-time buddy and musical boy wonder dexter again! over 15 years ago they started the klakson label and the rest is history... sounding more fresh than ever steffi & dexter deliver 3 razor sharp dancefloor bombs that will unite dancefloors worldwide. all the elements are there: aquatic electro arpeggios, jacking 808 beats, bouncing analogue strings and basslines, all topped off with that euphoric detroit techno feel... fffresh release!

now ovo, the eagerly awaited new luca bacchetti ep, is here! with this work on his endless imprint, luca seems to be delineating a new soundscape, maintaining the psychedelia he introduced into his productions a few years ago, but now more synthetic and in some ways even minimalist. in ovo we can find a brace of dancefloor tracks, no gravity and the space between us, that maintain and harness luca s emotional and intricate atmospheres whilst also employing powerful sounds and elements that embrace the movement of the body. mature, emotional techno, where ethereal dream-like atmospheres find a singular expression and their own distinct identity. it is no coincidence that the whole ep was recorded entirely high up in the tosco emiliano apennines: a place where, for luca, nature is the element that most influences this new aural pathway. as he himself states: “it’s this contrast between isolated lands and the chaos of the big city that produces this state of being: a new dialogue. they are two worlds which overlap within my soul: when i’m in new york i think of these mountains and when i’m here i think of the bustle of tour life .. but it’s up here that i find the seed, in this case ovo.”

nice price deal !!! limited re-release. west norwood cassette libarary aka bob bhamra, one half of data 70, presents the debut release on wncl recordings. >what it is< hangs techno stabs sub bas, old scook bleeps and a shuffling break around a dubstep tempo. brackles on remix duties, stylishly takes essential elements of the original and shifts the tempo to provide another one of his genre bending productions a psychedelic space jam thats broken enough for any dancefloor. support from ben ufo, headhunter, kid kameleon, 2562 martin kemp, pangea, shortstuff,untold, boomnoise, mary anne hobbs.

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with choosing matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gr. vinyl. this first release features two artists we love : i/y and tripeo. for their first real incursion on another label, i/y continues its exploration of the abyss of modern music. 0000.030 is a deep plunge into a paranoid atmosphere led by merciless beats.tripeo takes it into a jacking excursion accompanied by noisy and acidic elements. while maintaining the originals ruthless vibe, this remix offers a different aggression and gives the track a groovy psychedelic feel